Anche oggi sono a casa, il programma inizia con.........Francesca e quello che ha combinato domenica sera e la discussione avvenuta credo la sera stessa...sì c'è la pettinatura della serata.
Questa volta sentiamo il parere di Virginio....che è comune al pensiero di Denny.....che è comune a quello di Annalisa....e ribadisce quello che già aveva detto in puntata e ricordando Annalisa che ad un certo punto si girava per dirle scusa ma sto parlando io. Poi che era passata al discorso fra lei e lui.....e questa cosa ancora di più gli aveva dato fastidio perchè loro ne avevano avuta di attenzione e momenti brutti li hanno avuti tutti.
Ed ancora fanno rivedere il momento a cui si riferiva Virginio......che due bolle di sapone che girano.....dicendo che anche lì quello che diceva era furi luogo.
Passiamo then in the house where former blue Francesca, thanks to the words of Denny now says he understands what was his mistake, not wanting to attract attention and that he did this voluntarily and Anna does not believe him and has already said yesterday (WEDNESDAY AND WE ARE A 'BUT THE IMAGES ARE STILL MONDAY'), as questions are cases of the past, especially in reference to something when he criticized the Donders dell'rvm because he had not understood the meaning, she from behind applauded the study and then leave this thing she does not forget it, but Frank insists that this was what I thought yesterday and today through the words of Denny but from his point of view, feels that something is not right, even Denny fanno complimenti...... ma Annalisa le dice che al serale non ci sono stati tutti gli apprezzamenti spropositati rispetto agli altri e che c'erano prima e che la sua paura è di sparire come persona perchè lei non ha insicurezze grandi su come canta e la paranoia è di essere dimenticata come presenza perchè non litiga o pianta casini o fa scherzi e questo era il discorso. Denny lo ha capito e lei no, perchè sono idiota risponde Francesca ed Annalisa la stoppa dicendole che non le permetterà di rigirare la frittata perchè non è idiota e perchè il punto è stato: ti ha dato fastidio che per una volta si parlasse di me ed hai fatto quello che hai fatto per distogliere l'attenzione da me a te.
(In effetti alla domanda di Platinette if you had bothered talking to her dry Anna had said yes).
But you have to understand that his eighteen years ...... and armor, and its fragility and the fact of trying to make him slip around pretending anything when in fact even the pins dissuanguano, Annalisa tow again because he says that on Sunday she has not had the armor and indeed has said what he thought without filters and the armor has returned to the coach to be justified since, according to her, everything was done to get votes.
Anna says she is from October that makes so many messes that has always spoken of her ...... Frank insists that he thought, and still think, that it was propaganda to get vote and Anna tells her that if she thinks it means that a guilty conscience because she could have done so acting the way they conducted within the school and when leaving the studio.
and says she feels that when the last wagon wheel, etc. ... is to shift attention to her because there was all the attention on her. So understand what he says, and she does not believe this week will take care of herself as Francesca has to think for itself.
We then move on to Julia who wants to see rvm for Francesca because you are losing on the road, you do not remember who he is and what he is doing and wants to show all the time her personality, which is crazy and wants to split the world but it wastes time and energy for the wrong things and think too much about losing opportunities to others instead of herself throwing away my time from October to now and also the Fountain is desperate and does not know what to do. Francesca has to prove who is and how he can sing well, not the makeup or the ridges that make you sing well. Do not get to the point that concrete is to show how songs and must only think of that. Frank thanked her and said that he is right dancer.
Intervention Celentano or better Celentano process "puts back in comparison Denny and Vito, the first says that it considers to be a more than Vito because it has all the features you must have a good dancer because lavora con la testa e con tutte le altre qualità può arrivare a buoni livelli, lamentandosi che Vito è un elemento "viziato" perchè questo non lo fa, quell'altro non lo fa e questo è così e quello è colà mentre un ballerino deve lavorare, lavorare in silenzio con la mentalità ecc........
Incolpa il suo insegnante di continuare a lodarlo sulle cose che ha già (le doti fisiche) e quindi di non spronarlo a migliorare le cose che non ha, che non è costruttivo per Vito questo atteggiamento perchè si è seduto su queste sue doti.
Lei aveva iniziato un percorso in questo senso ma il ragazzo ha preferito la via più facile dell'insegnante accomodante piuttosto di affrontare la via del duro lavoro . Let's say that in reality it was the Celentano to set it aside and it's something she does every year after that "separates the good from the bad guys." Today
Denny said Sunday was not one of the best nights, he was wrong but also very error he was more clever (and I do not agree) because you see the intent and style, and blah, blah , blah.
lists all the choreography with only the critical Vito (fake, not spontaneous and natural) and the criticism with a compliment Denny, also for the fact that he acknowledged in his choreography of tango dancing badly because he had no humility necessary for the growth in direct ........ shame that he had replied "because Denny you are so negative, is not it "....... in the end they both wrong almost all the choreography, but Denny better.
Then you move into former white house where Vito ....... heard, heard left speechless, listening to Julia and Virginio comment on the teacher's words.
Julia is upset because it speaks only of negative things and less bad that on Sunday said it was improved and the path he had stopped the same Celentano, Virginio to laugh the concept of the error done better. Vito is not expressed but it has the gray face, the Giulia reiterates not to be cut down by the words of that Celentano is ultimately one, not to lose sight of the goal and look ahead, but the dancer admits he does not make it more and that has offended Celentano without saying bad words and when he dances well is a performance by the private school ...... advertising and the return shot at Vito says something but I did not hear.
I was thinking about something ......... today Celentano, apart from the physical gifts, Vito said the same things, for example, said Domenico .... treated him the same way ......... it seems to me absurd.
0 comments:
Post a Comment